§ Notebook · The book's rooms
The deep voice assumed in public; In the Closet; Dangerous as the passage from wonder to conflict. Entries here read the voice as an authorial act, not a biographical accident.
Asked why this project, and why me, who was never even a fan, I have no cause to produce, only an event: a few seconds of a 1997 Copenhagen performance, and the certainty, prior to every reason, that I had to go and see.